Creating a mystic and abstract atmosphere has been an issue of great importance and consideration in the illustrations of the lower margin (tasheer) of the work.
Every attempt has been made to have the natural textures and patterns of the woods with harmonious and suitable colors combine with the design to form the marginal space. I believe this insistence on the priority of the pattern and texture of the wood can free the work from the original painting and prevails the mood and style of wood. About 1250 pieces of wood from 18 different species of trees have been used in this part of the work.