The creation of fawns involved an investigation of gazelle species and their natural colors, followed by an attempt to implement a range of matte opaque yellow colors for the fawns with unrecognizable patterns and vessel elements, so that the color would resemble the natural color of the animal as much as possible.
Being shiny and bright, most of the yellow woods common in moarragh woodwork were undesirable and not appropriate for this part of the work. A great deal of time was spent in vain to investigate and solve this problem. That was before my trip to the southern Iran, when I finally found a piece of wood with the desirable properties in a collection of samples I gathered from the region. It was from a tree native to the southern Iran known as Karira (Capparis decidua).